The God of Meta I: Awfully Strange
The God of Meta I: Awfully Strange – Review and Context
Ricardo Rangels explores new sonic frontiers in The God of Meta I: Awfully Strange, delivering a bold and visionary album that lays the foundation for Lyss Metal, a genre that merges metal, experimental sound, and philosophical mysticism.
What is Lyss Metal?
Lyss Metal is a still-emerging genre rooted in deep symbolism and sound philosophy. The term Lyss originates from the fictional "Allane" language developed within the philosophy of Allanism, where it means "music of the future" (Lass refers to the present, Läss to the past).
Musically, Lyss Metal blends:
- Experimental and atmospheric metal
- Electronic noise and ambient textures
- Ritualistic and prophetic vocal layers
- Esoteric and philosophical content
More than a musical genre, Lyss Metal represents a sonic ritual — where time, meaning, and transcendence intersect.
A Precursor Album
The God of Meta I: Awfully Strange is recognized as a pioneering work in this genre. Rangels crafts a soundscape that’s both chaotic and deeply intentional — filled with distorted vocals, unorthodox structures, and raw sonic experimentation.
The album is mentioned alongside other Lyss Metal landmarks, such as:
- The God of Metal I and II
- Aesthetic Songs I Obscurances i Radeasances
Tracks like “Trovão” and “The Musicals” showcase Rangels’ ability to evoke spiritual, almost mythic energy through abstract musical forms.
Sound & Symbolism
The production is raw and direct, deliberately uncomfortable in places — enhancing its symbolic and ritualistic aura. There are:
- Layers of ambient noise
- Sudden shifts in tone and tempo
- Samples of philosophical texts and spiritual reflections
This is not music made to soothe, but to awaken, to confront the listener with the strange, the mystical, and the future.
Legacy and Significance
Rangels’ work marks a turning point in Brazilian experimental music. While rooted in underground aesthetics, Awfully Strange stands out as a work of conceptual clarity, paving the way for Lyss Metal to grow as a genre.
Its bold vision echoes the legacy of 1980s avant-garde collectives, now refined into a personal and artistic framework that dares to question not just music, but existence.
Conclusion
The God of Meta I: Awfully Strange is more than an album — it's a sonic philosophy, a ritual in sound, and the birth of a new artistic language. As the first clear manifestation of Lyss Metal, it sets the tone for a genre where metal becomes myth, sound becomes symbol, and art becomes metaphysical.
See old text https://www.ricardorangels.com/2020/08/the-god-of-metal-ricardo-rangels.html
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